Created from Silence

Created from Silence

Created From Silence – a four piece acoustic band from Scotland.

Formed in late 2008, when singer/songwriter Colin Taylor advertised for musicians on his MySpace page. He attracted first keyboard player Will Marshall and Rowan Petch on bass. Lastly, Will’s old friend Sandy Harley completed the line up on the drums. They have won WestSound Live 2009.

They have just been played on BBC Radio 6 by Tom Robinson and are performing at this years Wickerman Festival

Live 3 track demo which can be heard at on their MySpace page.

Here is a thread in the forums for Created from Silence.

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Little Willie John gives me fever

Little Willie John (aka William Edward John)

He was born William Edward John in Cullendale, Arkansas, moving with his family to Detroit, Michigan when he was four.

Although barely over 5 feet in height his singing voice was moving. He achieved popularity amongst R&B fans in the 1950s and early 1960s and had already had 3 R&B top tens before the age of 18. He is most famous for the song “Fever” which was an important recording for him. It was his first record to cross over to the white market and enter Billboard’s Top 100 pop charts, where it debuted at position 50 in July 1956 and peaked at the 24th spot. Peggy Lee reworked the lyrics and recorded it in May of 1958. Her version rose to 8th position on the pop charts in August 1958 and quickly became a classic. Since then, “Fever” has been recorded by artists from nearly every musical genre, including pop, rock ‘n’ roll, country, folk, and soul in addition to R&B and jazz. Another of my favorites of his is “Need Your Love So Bad” which was covered by the original Fleetwood Mac and was a big hit in Europe.

Willie suffered from alcoholism and was known to carry a gun. In 1965 he was convicted of manslaughter for a stabbing in Seattle,and was sentenced to a 10-year prison term. He died under mysterious circumstances in Washington State Prison in 1968. He was just 30 years old at the time.

Although his life was short, his musical abilities were well respected by other artists like Jerry Butler, B.B. King and James Brown who recorded a tribute album Thinking Of Little Willie John… And A Few Other Nice Things. He also inspired Stevie Wonder and the Beatles.

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New stars use music studio in London for production and recording

montage of girl and turntable

Check out these new, up and coming acts that have had their music recorded and produced at Whitelight along with other established artists.

They include:

Some mp3 samples are displayed and rotated on the site.

I particularly like Zemmy.

The recording studio combines the best in digital and analogue technologies. It is spacious with plenty of daylight. It has been acoustically treated and has an open natural sound with accurate monitoring.

Tony White music producerWhitelight Production is owned and run by Tony White. Tony is a multi-instrumentalist, playing acoustic and electric guitars, keyboards, bass , drums and percussion.

Tony started working with members of funk/soul band Rokoto after college. He also played live and in the studio with reggae band Exiles Intact, who’s members work with everyone from Finlay Quaye to William Orbit and Gnarls Barkley. At this time he did a lot of session work and played on records by top Jamaican artists such as Admiral Tibet.

He then moved to London. Tony toured the Gospel circuit, playing drums and guitar with top Gospel vocal group Channels of Praise which featured both Mozez and Michael Arkk. During this time he also formed a band with Argentinian keyboard maestro Natalio Faingold (Joan Armatrading) and drummer Errol Kennedy from eighties superstars Imagination. He also worked with The Fingertips – the band of the legendary ‘Fast’ Freddie Horton, managed by Dave Robinson of Stiff Records, with whom he recorded an album and played various venues including Wembley Arena as well as doing live Radio One sessions and many TV appearances. During this time he, along with Trevor White Bentley, composed and recorded music for BBC and Channel 4 television.

Since setting up his own studio some ten years ago Tony has created everything from dance, hip hop and RnB to rock, pop, reggae and jazz. Through the late nineties he had a string of dance and underground garage releases. His work has also featured on chill-out compilation albums from Hed Kandi and The Acid Lounge. Tony is comfortable within a huge range of musical genres and all these influences are present in a fluid and creative production style. Now working with a fantastic group of artists and writers he is getting Whitelight Production geared for mainstream success.

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Early Rolling Stones with Brian Jones

Early Rolling Stones with Brian Jones

Cheltenham-born bohemian Brian Jones placed an advertisement on 2 May 1962 in the Jazz News inviting musicians to audition for a new R&B group. Ian Stewart was the first to respond, later singer Mick Jagger and his Dartford schoolmate, Keith Richards, joined. Later still, Bill Wyman on bass because he had a spare VOX AC30 guitar amp and cigarettes and they finally persuaded jazz-influenced Charlie Watts to join them.

Brian Jones was inspired by the blues, particularly Elmore James and Robert Johnson, and had named two of his four illegitimate sons Julian in tribute to the jazz saxophonist Julian “Cannonball” Adderley. Jagger and Richards loved the blues too, notably Jimmy Reed, Muddy Waters, and Howlin’ Wolf.

Jones was the leader – promoting the band and negotiating with venues – and he was more animated and engaging a performer than Jagger. While acting as manager, Jones received £5 more than the other members, which did not sit well with the rest of the band.

He played:

With Keith Richards, he performed “guitar weaving” from listening to Jimmy Reed albums – both of them playing rhythm and lead guitar without clear boundaries between the two roles.

His ability with a wide variety of instruments is evident on albums Aftermath (1966), Between the Buttons (1967) and Their Satanic Majesties Request (1967). Jones appears less frequently on Beggars Banquet (1968) and only briefly on Let it Bleed (1969).

Andrew Loog Oldham’s arrival as manager marked the beginning of Jones’s estrangement from the band. And this coupled with the toll from days on the road, the fame and the feeling of being alienated from the group resulted in Jones’s overindulgence in alcohol and other drugs. He frequently used LSD, pills, cannabis, and he drank heavily.

To the public it appeared as if Jones had left voluntarily however the rest of the band had asked to him to leave. Jones released a statement on 9 June 1969 saying, amongst other things, that “I no longer see eye-to-eye with the others over the discs we are cutting”. Jones was replaced by 20-year-old guitarist Mick Taylor (formerly of John Mayall’s Bluesbreakers).

At around midnight on the night of 2-3 July 1969, Jones was discovered motionless at the bottom of his swimming pool at Cotchford Farm in East Sussex.

He was 27; Jimi Hendrix, Janis Joplin, and Jim Morrison found their own drug-related deaths at the same age within two years (Morrison dying two years to the day after Jones). The coincidence of ages has been described as the “27 Club”.

Painter/novelist Brion Gysin first heard the Master Musicians of Joujouka, Sufi trance musicians from Morrocco at a festival in 1950. Entranced with the music’s sound, he was later led to the village by Moroccan painter Mohamed Hamri. Gysin, along with Hamri, brought Brian Jones to hear the village music in 1968. Jones recorded them and in 1971, Brian Jones Presents the Pipes of Pan at Joujouka, was released posthumously. It is a world music classic.

Bless you, Brian

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